During shot 1 there is an establishing shot which is a fade in from the credits, in the background of this shot and up to shot 14 our music choice "icy weather" will be played. During the fade in between shot 1 and 2 dialogue will be heard which then leads into shot 2 which is a long/mid shot which is a slow pan, low angle of one of the victims. Shot 3 is an action shot which is also filmed as a mid shot of one of the policemen and a forensic, shot 4 shows the body being carried off leading to a zoom in on the victims arm whilst there is a voiceover of the forensics report. Shot 5 leads on from shot 4 as it is a close up of the photograph of the victims arm, these two shots should transition smoothly and should look almost like one shot.
Shot 6 is a shot reverse shot of the conversation between the policeman and forensic. Shot 7 is a closeup/pan presenting the murderers footsteps and there is a voiceover of the nurse reading over the murderers file. Shot 8 is a long shot continuing on from the previous shot of the murderers feet, the voiceover is also continued throughout this shot. Shot 9 is an extreme close up of the murderers hands containing a bible, this can be presented in slow motion, with the voiceover still heard in the background. Shot 10 is a slow motion/mid shot of the Bethlem sign and the murderer leaving the grounds. Shot 11 is a mid shot of the murderer and following on from that is a shot of the nurse as she opens the door to the murderers room, this can be an over the shoulder shot.
Shot 12 is a point of view/long shot shown from the policeman's point of view as we can feel the same surprise that he does as the shot shows the writing on the wall of the room. Shot 14-16 has a different soundtrack which then contains extreme close ups of the words "Thou shall not" "spring park" "murder" "ten commandments" and finally "the prophet" these are all jump cuts which are quick and tense.
For shot 10-11 it could be possible to use parallel shots in order to show the murder leaving Bethlem and then a shot shortly afterwards of the policeman entering the hospital.